Tiffen 52mm Digital Pro SLR Glass Filter Kit

The Tiffen 52mm Digital Pro SLR Glass Filter Kit contains some exciting filters to help you enter the challenging world of digital photography. Whether you're a weekend shooter or a working pro, these filters can give your photography a real "jump start".

Expected availability: 7-10 business days
SKU
52DPSLRKIT
Qty
CAD $164.99

The Tiffen 52mm Digital Pro SLR Glass Filter Kit contains some exciting filters to help you enter the challenging world of digital photography. Whether you're a weekend shooter or a working pro, these filters can give your photography a real "jump start".

Digital Ultra Clear Filter

Keep your filters safe from fingerprints and other contaminants with this optically clear filter.

ProMist 2 Filter

Tiffen Pro Mist filter are soft focus filters. The Pro-Mist filter is exceptional for creating a special mood. Outdoors or indoors, in broad scenics or portraits, the Pro-Mist is excellent for toning down excessive sharpness and reducing contract by moderately lightening shadow areas without detracting from the overall image. This is especially useful given the contrast and extremely sharp resolution produced by contemporary film and video lenses. Pro-Mist filters give your portraits that extra edge of professionalism. The various grades allow you to soften contrast to whatever degree you feel your subject requires. Pro-Mist F/X filters are available in grades from one-half through five, with grade 5 having the greatest effect; Effect of lighter grades is subtle, with higher grades becoming gradually more noticeable.

Graduated Neutral Density Filter

Graduated Neutral Density filters enables the shooter to adjust exposure without affecting color balance. Neutral density filters are available in 1, 2, 3, or 4 stops to suit individual situations. Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you don't have total light control, as in bright contrasting landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. This filter enables cloud detail to be kept correctly exposed in the picture. Determining which graduated neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Choose the filter strength which adjusts the lighting to stay within the exposure latitude (greatest difference between bright/dark values) which still shows details in both of the digital or film medium in use. Speaking generally, the 2-stop value (ND 0.6 - the filter's clear portion allows 4x more light to pass vs. darkest portion) effectively compensates average bright sky-to-foreground situations, and the soft transition is applicable more often to a scene than the hard transition.

Pro Mist Filters

  • Creates a special atmosphere by softening excess sharpness and contrast
  • Generates a pearlescent halo around highlights
  • Lighter grades are useful in toning down the excessive sharpness and contrast of contemporary film and lens combinations
  • Neutral Density filters have four main uses

  • To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
  • To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
  • To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
  • To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
  • Neutral Density factors

  • ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2)
  • ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4)
  • ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)
  • ND1.2 (exposure adjustment = 4 stops, reduces ISO 1/16)
  • ColorCore Technology

  • Tiffen filters are manufactured using ColorCore technology, a closely guarded proprietary process that entails permanently laminating the filter material in between two pieces of optical glass that are ground flat to tolerances of a ten-thousandth of an inch, then mounting them in precision metal rings
  • The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations.
  • Superior Quality

  • Top Hollywood motion picture studios rely on Tiffen filters for their multimillion-dollar productions Superior quality and design make Tiffen the overwhelming choice of movie makers, professional photographers and even NASA
  • Tiffen has also been awarded an Emmy, from the Academy of Television Arts and Sciences, for its engineering excellence
  • General Specifications
    Detail
    Type Digital Pro SLR kit
    Size 52 mm
    Grade Clear - 0
    Pro Mist - 2
    Graduated Neutral Density - 0.6 (2-stop)
    Filter Factor Clear - Not Applicable
    Graduated Neutral Density - Reduces ISO 1/4
    Pro Mist 2 - Not Specified
    Multi-Coated No
    Rotating No
    Effect Clear - Protection
    Pro Mist 2 Soft Focus
    Graduated Neutral Density - Balanced light intensity from one part of a
    scene to another
    Application Nature, scenics, portraits
    Color Temperature Not Applicable
    Construction Glass
    Front Filter Thread Size 52 mm
    Front Lens Cap Size 52 mm

    What's Included

    • 52mm Digital Ultra Clear Filter
    • 52mm Pro-Mist 2 Filter
    • TIGND.652
    • Micro Fiber Cleaning Cloth
    • Carrying Case

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